Monthly Archives: February 2015

DORKBOT SUPPORTS: DESIGN LAB: Digital Creative Practice Talks—Anthony Rowe (Squidsoup, UK)

When: Monday, March 2 @ 17:30 – 19:00
Where: ALT2 (Architecture Lecture Theatre 2), Wilkinson Building (G04) 148 City Road, Darlington, 2006
RSVP: Here

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Squidsoup is an international group of artists, researchers and designers (UK/NO/NZ) working with digital and interactive media experiences. Their work combines sound, physical space and virtual worlds to produce immersive and emotive headspaces where participants can take an active role in their experience. They explore the modes and effects of interactivity, looking to make digitally mediated experiences where meaningful and creative interaction can occur.
Their work is regularly shown at festivals, galleries and events around the globe. Recent events include solo shows in Bristol and Oslo, and participation in Mapping Festival (Switzerland), Cinekid (Netherlands), Sundance (USA), TIFF (Canada), Scopitone (France), Ars Electronica Festival and Museum (Austria), Glastonbury and Kinetica Arts Fair (UK). Squidsoup have permanent exhibitions at At Bristol (UK 2012), Royal Society of New Zealand (2012) and Contact Energy New Zealand (2013).
Recognition includes include Core77 Design Awards (Professional Notable Honoree 2013), Architecture Now Interior Awards (Finalist 2013), Best Design Awards (Bronze Award 2013), Prix File Lux (Honorary Mention 2010), a BAFTA nomination (2002) and an International EMMA (2000).

DORKBOT SUPPORTS : DESIGN LAB: Digital Creative Practice Talks : DANIEL JONES : MONDAY February 16

Daniel Jones is an artist and software engineer whose work explores new ways in which sound and technology can illuminate our understanding of the world, producing large-scale sculptural sound installations and systems that translate patterns and processes into musical forms.

Daniel will discuss two recent works — Living Symphonies, a touring outdoor piece that grows in the same way as a forest ecosystem, and Phantom Terrains, a platform that enables its hearing-impaired wearer to hear the surrounding landscape of wifi networks — and argues that these two seemingly disparate outputs inhabit the same creative
spectrum.

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RSVP HERE
When: Monday, February 16 @ 17:30 – 19:00
Where: ALT1 (Architecture Lecture Theatre 1)
Wilkinson Building (G04) 148 City Road, Darlington, 2006

Daniel Jones is an artist and software engineer whose work explores new ways in which sound and technology can illuminate our understanding of the world. This manifests itself in both scientific and artistic output: he has published work on process composition, creativity theory, systems ecology and artificial life, and exhibits his sound work internationally, harnessing algorithmic processes to create self-generating artworks.

Recent works include Phantom Terrains (with Frank Swain, 2014), a platform for ubiquitous sonification of wireless network landscapes; Living Symphonies (with James Bulley, 2014-), a landscape sound work that grows in the same way as a forest ecosystem; Global Breakfast Radio (with Seb Emina, 2014-), an autonomous radio station that broadcasts live radio from wherever the sun is rising; The Listening Machine (with Peter Gregson, 2012), a 6-month-long online composition which translates social network dynamics into a piece of orchestral music, recorded with Britten Sinfonia and commissioned by the BBC/Arts Council’s The Space; Variable 4 (with James Bulley, 2011), an outdoor sound installation which transforms live weather conditions into musical patterns; Maelstrom (with James Bulley, 2012), which uses audio material from media-publishing websites as a distributed, virtual orchestra; Horizontal Transmission (2011), a digital simulation of bacterial communication mechanisms; and AtomSwarm (2006—2009), a musical performance system based upon swarm dynamics.

Daniel’s engineering work includes Chirp, a platform and iOS app for sharing information over sound, shortlisted for the Design Museum’s Designs Of The Year; the 3D audio engine for mobile games Papa Sangre and The Nightjar, nominated for two BAFTAs including “Audio Achievement”. He co-ordinated the technical infrastructure for The Fragmented Orchestra, winner of the prestigious PRSF New Music Award 2008, and was more recently a fellow on the Mozilla Webmaker programme.